FSeqEdit – editor for FS1R FSeq data

FSeqEdit.

This program is an editor for FSeq data. FSeqdata is a native format for Yamaha’s FS1R, that stores formant information needed to recreate sounds, much like samples. Features like a tracker style editor, importing of wavefiles, drawing formants as lines, moving and scaling of formants etc should give you the possibility to actually use the features of your FS1-R that makes the machine so special. You’ve paid for it damnit.

Free FS1R Editor

FS1R Editor English Version – Download

Features:

  • Operation of all the parameter was enabled from PC. The user interface which can perform making sound conveniently.
  • This software can save SMF (Standard MIDI File) so that voice data can also be passed to the Mac users and Linux user, etc.
  • Since there was software which can make FSEQ data from overseas software “FSeqEdit”, the file(.syx) is read and it enabled it to store in a FS1R. Thereby, Formant data was made from the WAV file etc., and FS1R was made to talk and it became possible to give width to tone creation. Furthermore, since FSEQ data is convertible for SMF, it is possible to also distribute FSEQ data to the direction of other OS’s. FSeqEdit: http://www.xs4all.nl/~niff/fs1r/
  • This software can read The FS1R Editor’s save file.

Comprehensive and free – can’t complain!

ZeeEdit – MIDI editor for Yamaha FS1R

ZeeEdit – MIDI editor

Main features

  • MIDI control surface integration. Several controllers and several keyboards may be used at the same time.
  • MIDI learn.
  • Zoom feature for envelopes and other complex widgets
  • Independant and unlimited undo/redo history for each panel (Performance or Voice)
  • Copy/paste feature parameter sets. For example to copy an envelope to other operators

Costs €42 but probably worth it for the interface. Will test when FS1R is is my grubby hands (sale secured, en route).

🙂

Soon…?

Currently negotiating Purchase. I’ve been lusting after one for a long time – definitely a unique sounding and incredibly powerful synthesizer. I’m drawn the complexity coupled with the obtuse interface. Like my XL-7 it will be caressed, digested and slowly assimilated over a period of years. It will be my main synthesizer in the evolving live rig setup – coming soon.